Audio Ek Hindustani
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Located in Aminjikarai, Chennai, it has two studios. One studio is used for audio recording, mixing and mastering whereas the other studio is used for music production, mixing and mastering. Krimson Avenues Studio also has a Krimson sound school that has courses on music production and audio engineering. The music for many regional Tamil movies has been recorded in this studio. Artists such as Alisha Thomas, Swagatha S Krishnan, Ramkumar Kanakarajan and many others have recorded their music here.
At its core, Dolby Digital technology represents a very efficient way for movie studios, television networks, and other content providers to compress the size of multichannel audio files without impairing the sound quality. The smaller the file, the easier it is to distribute. With Dolby Digital, it's possible to include a full 5.1-channel audio mix on a film print or a DVD, or as part of a TV broadcast. This expands the creative palette for artists, and allows those of us in the audience to experience greater realism and excitement.
But rather than simply converting waveforms to numbers blindly, Dolby Digital analyzes the original audio and intelligently determines what parts of the audio track are important to keep and what parts you're less likely to hear.
Metadata is a set of instructions created during programming production and carried in the Dolby Digital bitstream. It ensures you enjoy a high-quality audio experience, whether you're listening on a mono, stereo, or 5.1-channel system, and also lets content creators offer additional features so you have more control over playback.
The channels in a 5.1 audio mix serve distinct purposes. The three front channels (Left, Center, and Right) provide crisp, clean dialogue and accurate placement of onscreen sounds. The twin surround channels (Left Surround and Right Surround) create the sense of being in the middle of the action.
Consists of field recordings and commercial recordings, both audio and visual, of musical performance and cultural practices collected by faculty and graduate students of the School of Music's Ethnomusicology Division as well as other scholars. Each set of recordings has a collection number and most of the recordings include collection files which provide detailed information about their accompanying field work and recordings. A substantial portion of the recordings are from Iran, India, and from indigenous peoples of North and South America, including (but not exclusive to) the Yahi, Shipibo, Shawnee, Ayore, Siriono, Penobscot, Shuar, Navajo, Hopi, Kiowa, and the Caddo peoples. The Archives also contains card catalogs for the recordings organized by subject headings, collection number, and Human Relation Area Files (HRAF) area codes. The administrative files contain correspondence, visitor logs, publications, and other material related to the daily operation of the Ethnomusicology Archives.
Consists of the field notes and recordings of ethnomusicologists working at or attending the University of Illinois as students throughout the latter half of the 20th century. Some of the audio-recordings were made and/or collected by people not specifically affiliated with the University of Illinois, such as recordings from the Society for Ethnomusicology's Seventh Annual Meeting in 1962. Materials within this series date from 1896 to 1992. Of particular note are Bruno Nettl's notes and field recordings related to his research with the Blackfoot people of Montana and his research on Persian music in Iran. Also notable are collections of field notes and recordings related to indigenous peoples of North and South America, classical music of India, and Javanese and Balinese gamelan performances. 2b1af7f3a8